The Marshal's Widow
Anton Chekhov
ON the first of February every year, St. Trifon's day, there is an extraordinary commotion
on the estate of Madame Zavzyatov, the widow of Trifon Lvovitch, the late marshal of the
district. On that day, the nameday of the deceased marshal, the widow Lyubov Petrovna has
a requiem service celebrated in his memory, and after the requiem a thanksgiving to the
Lord. The whole district assembles for the service. There you will see Hrumov the present
marshal, Marfutkin, the president of the Zemstvo, Potrashkov, the permanent member of
the Rural Board, the two justices of the peace of the district, the police captain, Krinolinov,
two police-superintendents, the district doctor, Dvornyagin, smelling of iodoform, all the
landowners, great and small, and so on. There are about fifty people assembled in all.
Precisely at twelve o'clock, the visitors, with long faces, make their way from all the rooms
to the big hall. There are carpets on the floor and their steps are noiseless, but the solemnity
of the occasion makes them instinctively walk on tip-toe, holding out their hands to balance
themselves. In the hall everything is already prepared. Father Yevmeny, a little old man in a
high faded cap, puts on his black vestments. Konkordiev, the deacon, already in his
vestments, and as red as a crab, is noiselessly turning over the leaves of his missal and
putting slips of paper in it. At the door leading to the vestibule, Luka, the sacristan, puffing
out his cheeks and making round eyes, blows up the censer. The hall is gradually filled with
bluish transparent smoke and the smell of incense.
Gelikonsky, the elementary schoolmaster, a young man with big pimples on his frightened
face, wearing a new greatcoat like a sack, carries round wax candles on a silver-plated tray.
The hostess, Lyubov Petrovna, stands in the front by a little table with a dish of funeral rice
on it, and holds her handkerchief in readiness to her face. There is a profound stillness,
broken from time to time by sighs. Everybody has a long, solemn face. . . .
The requiem service begins. The blue smoke curls up from the censer and plays in the
slanting sunbeams, the lighted candles faintly splutter. The singing, at first harsh and
deafening, soon becomes quiet and musical as the choir gradually adapt themselves to the
acoustic conditions of the rooms. . . . The tunes are all mournful and sad. . . . The guests are
gradually brought to a melancholy mood and grow pensive. Thoughts of the brevity of
human life, of mutability, of worldly vanity stray through their brains. . . . They recall the
deceased Zavzyatov, a thick-set, red-cheeked man who used to drink off a bottle of
champagne at one gulp and smash looking-glasses with his forehead. And when they sing
"With Thy Saints, O Lord," and the sobs of their hostess are audible, the guests shift
uneasily from one foot to the other. The more emotional begin to feel a tickling in their
throat and about their eyelids. Marfutkin, the president of the Zemstvo, to stifle the
unpleasant feeling, bends down to the police captain's ear and whispers:
"I was at Ivan Fyodoritch's yesterday. . . . Pyotr Petrovitch and I took all the tricks, playing
no trumps. . . . Yes, indeed. . . . Olga Andreyevna was so exasperated that her false tooth
fell out of her mouth."
But at last the "Eternal Memory" is sung. Gelikonsky respectfully takes away the candles,