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The Darling
Anton Chekhov
OLENKA, the daughter of the retired collegiate assessor, Plemyanniakov, was sitting in her
back porch, lost in thought. It was hot, the flies were persistent and teasing, and it was
pleasant to reflect that it would soon be evening. Dark rainclouds were gathering from the
east, and bringing from time to time a breath of moisture in the air.
Kukin, who was the manager of an open-air theatre called the Tivoli, and who lived in the
lodge, was standing in the middle of the garden looking at the sky.
"Again!" he observed despairingly. "It's going to rain again! Rain every day, as though to
spite me. I might as well hang myself! It's ruin! Fearful losses every day."
He flung up his hands, and went on, addressing Olenka:
"There! that's the life we lead, Olga Semyonovna. It's enough to make one cry. One works
and does one's utmost, one wears oneself out, getting no sleep at night, and racks one's
brain what to do for the best. And then what happens? To begin with, one's public is
ignorant, boorish. I give them the very best operetta, a dainty masque, first rate music-hall
artists. But do you suppose that's what they want! They don't understand anything of that
sort. They want a clown; what they ask for is vulgarity. And then look at the weather!
Almost every evening it rains. It started on the tenth of May, and it's kept it up all May and
June. It's simply awful! The public doesn't come, but I've to pay the rent just the same, and
pay the artists."
The next evening the clouds would gather again, and Kukin would say with an hysterical
laugh:
"Well, rain away, then! Flood the garden, drown me! Damn my luck in this world and the
next! Let the artists have me up! Send me to prison! -- to Siberia! -- the scaffold! Ha, ha,
ha!"
And next day the same thing.
Olenka listened to Kukin with silent gravity, and sometimes tears came into her eyes. In the
end his misfortunes touched her; she grew to love him. He was a small thin man, with a
yellow face, and curls combed forward on his forehead. He spoke in a thin tenor; as he
talked his mouth worked on one side, and there was always an expression of despair on his
face; yet he aroused a deep and genuine affection in her. She was always fond of some one,
and could not exist without loving. In earlier days she had loved her papa, who now sat in a
darkened room, breathing with difficulty; she had loved her aunt who used to come every
other year from Bryansk; and before that, when she was at school, she had loved her French
master. She was a gentle, soft-hearted, compassionate girl, with mild, tender eyes and very
good health. At the sight of her full rosy cheeks, her soft white neck with a little dark mole
on it, and the kind, naïve smile, which came into her face when she listened to anything
pleasant, men thought, "Yes, not half bad," and smiled too, while lady visitors could not
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refrain from seizing her hand in the middle of a conversation, exclaiming in a gush of
delight, "You darling!"
The house in which she had lived from her birth upwards, and which was left her in her
father's will, was at the extreme end of the town, not far from the Tivoli. In the evenings
and at night she could head the band playing, and the crackling and banging of fireworks,
and it seemed to her that it was Kukin struggling with his destiny, storming the
entrenchments of his chief foe, the indifferent public; there was a sweet thrill at her heart,
she had no desire to sleep, and when he returned home at day-break, she tapped softly at her
bedroom window, and showing him only her face and one shoulder through the curtain, she
gave him a friendly smile. . . .
He proposed to her, and they were married. And when he had a closer view of her neck and
her plump, fine shoulders, he threw up his hands, and said:
"You darling!"
He was happy, but as it rained on the day and night of his wedding, his face still retained an
expression of despair.
They got on very well together. She used to sit in his office, to look after things in the
Tivoli, to put down the accounts and pay the wages. And her rosy cheeks, her sweet, naïve,
radiant smile, were to be seen now at the office window, now in the refreshment bar or
behind the scenes of the theatre. And already she used to say to her acquaintances that the
theatre was the chief and most important thing in life and that it was only through the drama
that one could derive true enjoyment and become cultivated and humane.
"But do you suppose the public understands that?" she used to say. "What they want is a
clown. Yesterday we gave 'Faust Inside Out,' and almost all the boxes were empty; but if
Vanitchka and I had been producing some vulgar thing, I assure you the theatre would have
been packed. Tomorrow Vanitchka and I are doing 'Orpheus in Hell.' Do come."
And what Kukin said about the theatre and the actors she repeated. Like him she despised
the public for their ignorance and their indifference to art; she took part in the rehearsals,
she corrected the actors, she kept an eye on the behaviour of the musicians, and when there
was an unfavourable notice in the local paper, she shed tears, and then went to the editor's
office to set things right.
The actors were fond of her and used to call her "Vanitchka and I," and "the darling"; she
was sorry for them and used to lend them small sums of money, and if they deceived her,
she used to shed a few tears in private, but did not complain to her husband.
They got on well in the winter too. They took the theatre in the town for the whole winter,
and let it for short terms to a Little Russian company, or to a conjurer, or to a local dramatic
society. Olenka grew stouter, and was always beaming with satisfaction, while Kukin grew
thinner and yellower, and continually complained of their terrible losses, although he had
not done badly all the winter. He used to cough at night, and she used to give him hot
raspberry tea or lime-flower water, to rub him with eau-de-Cologne and to wrap him in her
warm shawls.
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"You're such a sweet pet!" she used to say with perfect sincerity, stroking his hair. "You're
such a pretty dear!"
Towards Lent he went to Moscow to collect a new troupe, and without him she could not
sleep, but sat all night at her window, looking at the stars, and she compared herself with
the hens, who are awake all night and uneasy when the cock is not in the hen-house. Kukin
was detained in Moscow, and wrote that he would be back at Easter, adding some
instructions about the Tivoli. But on the Sunday before Easter, late in the evening, came a
sudden ominous knock at the gate; some one was hammering on the gate as though on a
barrel -- boom, boom, boom! The drowsy cook went flopping with her bare feet through the
puddles, as she ran to open the gate.
"Please open," said some one outside in a thick bass. "There is a telegram for you."
Olenka had received telegrams from her husband before, but this time for some reason she
felt numb with terror. With shaking hands she opened the telegram and read as follows:
"IVAN PETROVITCH DIED SUDDENLY TO-DAY. AWAITING IMMATE
INSTRUCTIONS FUFUNERAL TUESDAY."
That was how it was written in the telegram -- "fufuneral," and the utterly incomprehensible
word "immate." It was signed by the stage manager of the operatic company.
"My darling!" sobbed Olenka. "Vanka, my precious, my darling! Why did I ever meet you!
Why did I know you and love you! Your poor heart-broken Olenka is alone without you!"
Kukin's funeral took place on Tuesday in Moscow, Olenka returned home on Wednesday,
and as soon as she got indoors, she threw herself on her bed and sobbed so loudly that it
could be heard next door, and in the street.
"Poor darling!" the neighbours said, as they crossed themselves. "Olga Semyonovna, poor
darling! How she does take on!"
Three months later Olenka was coming home from mass, melancholy and in deep
mourning. It happened that one of her neighbours, Vassily Andreitch Pustovalov, returning
home from church, walked back beside her. He was the manager at Babakayev's, the timber
merchant's. He wore a straw hat, a white waistcoat, and a gold watch-chain, and looked
more a country gentleman than a man in trade.
"Everything happens as it is ordained, Olga Semyonovna," he said gravely, with a
sympathetic note in his voice; "and if any of our dear ones die, it must be because it is the
will of God, so we ought have fortitude and bear it submissively."
After seeing Olenka to her gate, he said good-bye and went on. All day afterwards she heard
his sedately dignified voice, and whenever she shut her eyes she saw his dark beard. She
liked him very much. And apparently she had made an impression on him too, for not long
afterwards an elderly lady, with whom she was only slightly acquainted, came to drink
coffee with her, and as soon as she was seated at table began to talk about Pustovalov,
saying that he was an excellent man whom one could thoroughly depend upon, and that any
girl would be glad to marry him. Three days later Pustovalov came himself. He did not stay
long, only about ten minutes, and he did not say much, but when he left, Olenka loved him
-- loved him so much that she lay awake all night in a perfect fever, and in the morning she
sent for the elderly lady. The match was quickly arranged, and then came the wedding.
Pustovalov and Olenka got on very well together when they were married.
Usually he sat in the office till dinner-time, then he went out on business, while Olenka
took his place, and sat in the office till evening, making up accounts and booking orders.
"Timber gets dearer every year; the price rises twenty per cent," she would say to her
customers and friends. "Only fancy we used to sell local timber, and now Vassitchka always
has to go for wood to the Mogilev district. And the freight!" she would add, covering her
cheeks with her hands in horror. "The freight!"
It seemed to her that she had been in the timber trade for ages and ages, and that the most
important and necessary thing in life was timber; and there was something intimate and
touching to her in the very sound of words such as "baulk," "post," "beam," "pole,"
"scantling," "batten," "lath," "plank," etc.
At night when she was asleep she dreamed of perfect mountains of planks and boards, and
long strings of wagons, carting timber somewhere far away. She dreamed that a whole
regiment of six-inch beams forty feet high, standing on end, was marching upon the timber-
yard; that logs, beams, and boards knocked together with the resounding crash of dry wood,
kept falling and getting up again, piling themselves on each other. Olenka cried out in her
sleep, and Pustovalov said to her tenderly: "Olenka, what's the matter, darling? Cross
yourself!"
Her husband's ideas were hers. If he thought the room was too hot, or that business was
slack, she thought the same. Her husband did not care for entertainments, and on holidays
he stayed at home. She did likewise.
"You are always at home or in the office," her friends said to her. "You should go to the
theatre, darling, or to the circus."
"Vassitchka and I have no time to go to theatres," she would answer sedately. "We have no
time for nonsense. What's the use of these theatres?"
On Saturdays Pustovalov and she used to go to the evening service; on holidays to early
mass, and they walked side by side with softened faces as they came home from church.
There was a pleasant fragrance about them both, and her silk dress rustled agreeably. At
home they drank tea, with fancy bread and jams of various kinds, and afterwards they ate
pie. Every day at twelve o'clock there was a savoury smell of beet-root soup and of mutton
or duck in their yard, and on fast-days of fish, and no one could pass the gate without
feeling hungry. In the office the samovar was always boiling, and customers were regaled
with tea and cracknels. Once a week the couple went to the baths and returned side by side,
both red in the face.
"Yes, we have nothing to complain of, thank God," Olenka used to say to her
acquaintances. "I wish every one were as well off as Vassitchka and I."
When Pustovalov went away to buy wood in the Mogilev district, she missed him
dreadfully, lay awake and cried. A young veterinary surgeon in the army, called Smirnin, to
whom they had let their lodge, used sometimes to come in in the evening. He used to talk to
her and play cards with her, and this entertained her in her husband's absence. She was
particularly interested in what he told her of his home life. He was married and had a little
boy, but was separated from his wife because she had been unfaithful to him, and now he
hated her and used to send her forty roubles a month for the maintenance of their son. And
hearing of all this, Olenka sighed and shook her head. She was sorry for him.
"Well, God keep you," she used to say to him at parting, as she lighted him down the stairs
with a candle. "Thank you for coming to cheer me up, and may the Mother of God give you
health."
And she always expressed herself with the same sedateness and dignity, the same
reasonableness, in imitation of her husband. As the veterinary surgeon was disappearing
behind the door below, she would say:
"You know, Vladimir Platonitch, you'd better make it up with your wife. You should
forgive her for the sake of your son. You may be sure the little fellow understands."
And when Pustovalov came back, she told him in a low voice about the veterinary surgeon
and his unhappy home life, and both sighed and shook their heads and talked about the boy,
who, no doubt, missed his father, and by some strange connection of ideas, they went up to
the holy ikons, bowed to the ground before them and prayed that God would give them
children.
And so the Pustovalovs lived for six years quietly and peaceably in love and complete
harmony.
But behold! one winter day after drinking hot tea in the office, Vassily Andreitch went out
into the yard without his cap on to see about sending off some timber, caught cold and was
taken ill. He had the best doctors, but he grew worse and died after four months' illness.
And Olenka was a widow once more.
"I've nobody, now you've left me, my darling," she sobbed, after her husband's funeral.
"How can I live without you, in wretchedness and misery! Pity me, good people, all alone in
the world!"
She went about dressed in black with long "weepers," and gave up wearing hat and gloves
for good. She hardly ever went out, except to church, or to her husband's grave, and led the
life of a nun. It was not till six months later that she took off the weepers and opened the
shutters of the windows. She was sometimes seen in the mornings, going with her cook to
market for provisions, but what went on in her house and how she lived now could only be
surmised. People guessed, from seeing her drinking tea in her garden with the veterinary
surgeon, who read the newspaper aloud to her, and from the fact that, meeting a lady she
knew at the post-office, she said to her:
"There is no proper veterinary inspection in our town, and that's the cause of all sorts of
epidemics. One is always hearing of people's getting infection from the milk supply, or
catching diseases from horses and cows. The health of domestic animals ought to be as well
cared for as the health of human beings."
She repeated the veterinary surgeon's words, and was of the same opinion as he about
everything. It was evident that she could not live a year without some attachment, and had
found new happiness in the lodge. In any one else this would have been censured, but no
one could think ill of Olenka; everything she did was so natural. Neither she nor the
veterinary surgeon said anything to other people of the change in their relations, and tried,
indeed, to conceal it, but without success, for Olenka could not keep a secret. When he had
visitors, men serving in his regiment, and she poured out tea or served the supper, she
would begin talking of the cattle plague, of the foot and mouth disease, and of the
municipal slaughterhouses. He was dreadfully embarrassed, and when the guests had gone,
he would seize her by the hand and hiss angrily:
"I've asked you before not to talk about what you don't understand. When we veterinary
surgeons are talking among ourselves, please don't put your word in. It's really annoying."
And she would look at him with astonishment and dismay, and ask him in alarm: "But,
Voloditchka, what am I to talk about?"
And with tears in her eyes she would embrace him, begging him not to be angry, and they
were both happy.
But this happiness did not last long. The veterinary surgeon departed, departed for ever with
his regiment, when it was transferred to a distant place -- to Siberia, it may be. And Olenka
was left alone.
Now she was absolutely alone. Her father had long been dead, and his armchair lay in the
attic, covered with dust and lame of one leg. She got thinner and plainer, and when people
met her in the street they did not look at her as they used to, and did not smile to her;
evidently her best years were over and left behind, and now a new sort of life had begun for
her, which did not bear thinking about. In the evening Olenka sat in the porch, and heard
the band playing and the fireworks popping in the Tivoli, but now the sound stirred no
response. She looked into her yard without interest, thought of nothing, wished for nothing,
and afterwards, when night came on she went to bed and dreamed of her empty yard. She
ate and drank as it were unwillingly.
And what was worst of all, she had no opinions of any sort. She saw the objects about her
and understood what she saw, but could not form any opinion about them, and did not
know what to talk about. And how awful it is not to have any opinions! One sees a bottle,
for instance, or the rain, or a peasant driving in his cart, but what the bottle is for, or the
rain, or the peasant, and what is the meaning of it, one can't say, and could not even for a
thousand roubles. When she had Kukin, or Pustovalov, or the veterinary surgeon, Olenka
could explain everything, and give her opinion about anything you like, but now there was
the same emptiness in her brain and in her heart as there was in her yard outside. And it was
as harsh and as bitter as wormwood in the mouth.
Little by little the town grew in all directions. The road became a street, and where the
Tivoli and the timber-yard had been, there were new turnings and houses. How rapidly time
passes! Olenka's house grew dingy, the roof got rusty, the shed sank on one side, and the
whole yard was overgrown with docks and stinging-nettles. Olenka herself had grown plain
and elderly; in summer she sat in the porch, and her soul, as before, was empty and dreary
and full of bitterness. In winter she sat at her window and looked at the snow. When she
caught the scent of spring, or heard the chime of the church bells, a sudden rush of
memories from the past came over her, there was a tender ache in her heart, and her eyes
brimmed over with tears; but this was only for a minute, and then came emptiness again
and the sense of the futility of life. The black kitten, Briska, rubbed against her and purred
softly, but Olenka was not touched by these feline caresses. That was not what she needed.
She wanted a love that would absorb her whole being, her whole soul and reason -- that
would give her ideas and an object in life, and would warm her old blood. And she would
shake the kitten off her skirt and say with vexation:
"Get along; I don't want you!"
And so it was, day after day and year after year, and no joy, and no opinions. Whatever
Mavra, the cook, said she accepted.
One hot July day, towards evening, just as the cattle were being driven away, and the whole
yard was full of dust, some one suddenly knocked at the gate. Olenka went to open it
herself and was dumbfounded when she looked out: she saw Smirnin, the veterinary
surgeon, grey-headed, and dressed as a civilian. She suddenly remembered everything. She
could not help crying and letting her head fall on his breast without uttering a word, and in
the violence of her feeling she did not notice how they both walked into the house and sat
down to tea.
"My dear Vladimir Platonitch! What fate has brought you?" she muttered, trembling with
joy.
"I want to settle here for good, Olga Semyonovna," he told her. "I have resigned my post,
and have come to settle down and try my luck on my own account. Besides, it's time for my
boy to go to school. He's a big boy. I am reconciled with my wife, you know."
"Where is she?' asked Olenka.
"She's at the hotel with the boy, and I'm looking for lodgings."
"Good gracious, my dear soul! Lodgings? Why not have my house? Why shouldn't that suit
you? Why, my goodness, I wouldn't take any rent!" cried Olenka in a flutter, beginning to
cry again. "You live here, and the lodge will do nicely for me. Oh dear! how glad I am!"
Next day the roof was painted and the walls were whitewashed, and Olenka, with her arms
akimbo walked about the yard giving directions. Her face was beaming with her old smile,
and she was brisk and alert as though she had waked from a long sleep. The veterinary's
wife arrived -- a thin, plain lady, with short hair and a peevish expression. With her was her
little Sasha, a boy of ten, small for his age, blue-eyed, chubby, with dimples in his cheeks.
And scarcely had the boy walked into the yard when he ran after the cat, and at once there
was the sound of his gay, joyous laugh.
"Is that your puss, auntie?" he asked Olenka. "When she has little ones, do give us a kitten.
Mamma is awfully afraid of mice."
Olenka talked to him, and gave him tea. Her heart warmed and there was a sweet ache in
her bosom, as though the boy had been her own child. And when he sat at the table in the
evening, going over his lessons, she looked at him with deep tenderness and pity as she
murmured to herself:
"You pretty pet! . . . my precious! . . . Such a fair little thing, and so clever."
" 'An island is a piece of land which is entirely surrounded by water,' " he read aloud.
"An island is a piece of land," she repeated, and this was the first opinion to which she gave
utterance with positive conviction after so many years of silence and dearth of ideas.
Now she had opinions of her own, and at supper she talked to Sasha's parents, saying how
difficult the lessons were at the high schools, but that yet the high school was better than a
commercial one, since with a high-school education all careers were open to one, such as
being a doctor or an engineer.
Sasha began going to the high school. His mother departed to Harkov to her sister's and did
not return; his father used to go off every day to inspect cattle, and would often be away
from home for three days together, and it seemed to Olenka as though Sasha was entirely
abandoned, that he was not wanted at home, that he was being starved, and she carried him
off to her lodge and gave him a little room there.
And for six months Sasha had lived in the lodge with her. Every morning Olenka came into
his bedroom and found him fast asleep, sleeping noiselessly with his hand under his cheek.
She was sorry to wake him.
"Sashenka," she would say mournfully, "get up, darling. It's time for school."
He would get up, dress and say his prayers, and then sit down to breakfast, drink three
glasses of tea, and eat two large cracknels and a half a buttered roll. All this time he was
hardly awake and a little ill-humoured in consequence.
"You don't quite know your fable, Sashenka," Olenka would say, looking at him as though
he were about to set off on a long journey. "What a lot of trouble I have with you! You must
work and do your best, darling, and obey your teachers."
"Oh, do leave me alone!" Sasha would say.
Then he would go down the street to school, a little figure, wearing a big cap and carrying a
satchel on his shoulder. Olenka would follow him noiselessly.
"Sashenka!" she would call after him, and she would pop into his hand a date or a caramel.
When he reached the street where the school was, he would feel ashamed of being followed
by a tall, stout woman, he would turn round and say:
"You'd better go home, auntie. I can go the rest of the way alone."
She would stand still and look after him fixedly till he had disappeared at the school-gate.
Ah, how she loved him! Of her former attachments not one had been so deep; never had her
soul surrendered to any feeling so spontaneously, so disinterestedly, and so joyously as now
that her maternal instincts were aroused. For this little boy with the dimple in his cheek and
the big school cap, she would have given her whole life, she would have given it with joy
and tears of tenderness. Why? Who can tell why?
When she had seen the last of Sasha, she returned home, contented and serene, brimming
over with love; her face, which had grown younger during the last six months, smiled and
beamed; people meeting her looked at her with pleasure.
"Good-morning, Olga Semyonovna, darling. How are you, darling?"
"The lessons at the high school are very difficult now," she would relate at the market. "It's
too much; in the first class yesterday they gave him a fable to learn by heart, and a Latin
translation and a problem. You know it's too much for a little chap."
And she would begin talking about the teachers, the lessons, and the school books, saying
just what Sasha said.
At three o'clock they had dinner together: in the evening they learned their lessons together
and cried. When she put him to bed, she would stay a long time making the Cross over him
and murmuring a prayer; then she would go to bed and dream of that far-away misty future
when Sasha would finish his studies and become a doctor or an engineer, would have a big
house of his own with horses and a carriage, would get married and have children. . . . She
would fall asleep still thinking of the same thing, and tears would run down her cheeks
from her closed eyes, while the black cat lay purring beside her: "Mrr, mrr, mrr."
Suddenly there would come a loud knock at the gate.
Olenka would wake up breathless with alarm, her heart throbbing. Half a minute later
would come another knock.
"It must be a telegram from Harkov," she would think, beginning to tremble from head to
foot. "Sasha's mother is sending for him from Harkov. . . . Oh, mercy on us!"
She was in despair. Her head, her hands, and her feet would turn chill, and she would feel
that she was the most unhappy woman in the world. But another minute would pass, voices
would be heard: it would turn out to be the veterinary surgeon coming home from the club.
"Well, thank God!" she would think.
And gradually the load in her heart would pass off, and she would feel at ease. She would
go back to bed thinking of Sasha, who lay sound asleep in the next room, sometimes crying
out in his sleep:
"I'll give it you! Get away! Shut up!"
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